I work across painting, dance, scenography, costume, and conceptual design. At the heart of my practice is the creation of spaces where one can simply be — where feeling matters more than meaning, where form emerges through movement, and where the viewer is invited to pause and sense their own aliveness.

My process begins with the body — through dance, breath, and physical gesture. This applies equally to my painting, performances, scenographic work, or costume design. Everything I create moves through a bodily filter: I care not only about what is made, but how it feels — on the skin, in the breath, in rhythm.

In painting, I improvise — working without sketches, following color, texture, or the motion of the brush. I use oil paints because they’re alive and responsive; they breathe with me. In scenography and costume, I look for emotional precision rather than spectacle — how a stage space can hold silence, how fabric can express the fragility of a moment.

I’m drawn to in-between states: not symbols, but sensations. Not characters, but emotional atmospheres. Not words, but the air between them. In each work — whether a canvas, a performance, or a scenographic structure — I aim to create not an object, but an experience: a touch, a trace, a presence.

I hope my work offers a space to pause —
to notice a feeling, a breath, a small shift inside.